Gerald Tarog's Bliss is a mind-bending psychological thriller that explores trauma, madness, and mystery. The film is described as the most disturbing and disturbing film of the decade, causing intense emotional reactions.
Gerald Tarog directs Bliss, a dark yet compelling psychological thriller that blurs the boundary between truth and psychosis. The film opens with a behind-the-scenes look at the trials of an actress named Jane Ciego, who enters show business at a young age and grows dissatisfied with her customary tasks. She resolves to make her own film to get professional recognition, but things do not go as planned. A horrible accident on the set of her dream project leaves her temporarily handicapped and stranded in a mansion full of unusual occurrences, cared for by her unwavering husband and a mysterious nurse.
Bliss' narrative framework folds in on itself as origami drenched in gasoline, making us unsure of what is genuine. The turmoil we see is both external and internal, psychological, and buried deep. The film brilliantly depicts how trauma distorts the psyche. It does not show trauma as a past occurrence, but rather as a continuing invasion. Jane's mind becomes a battleground where several worlds meet.
The film departs from standard horror by depicting how trauma may corrupt the psyche. The film depicts trauma as a continual invasion, rather than a past occurrence. Jane's mind becomes a battleground where alternate worlds meet. Scenes repeat faces and alter time cycles, and this isn't done for the goal of confusion. This is how trauma feels. You wake up not knowing what's real, flinching at shadows that may not exist, and questioning your own ideas.
Jane Ciego's journey into madness is a gradual unraveling caused by exploitation, seclusion, and repeated breaches of agency. Her job, body, and sense of self are no longer her own. Everything has been transformed into a product that others can alter. Lilbeth, the seemingly peaceful nurse assigned to care for Jane, is a victim of a lengthy history of abuse, gaslighting, and possible mental illness. Her aggressiveness and volatility might be interpreted as a protective technique for regaining control in a world where she has none.
Bliss also targets the film sector. It scrapes aside the glittering covering of celebrity to find an oppressive system that cheats and brands women as difficult. When they strike back, Jane's narrative is about losing control and never having it in the first place. People claiming to know what is best for her control her body, choices, and appearance.
Bliss does not provide a satisfactory resolution, as tragedy seldom does. It lingers, loops, and teases you into believing you're safe before yanking you back under. Watching Bliss is like holding your breath for 90 minutes, not because of what could come out, but because you realize you've seen similar patterns before in real life, industry, society, and even yourself. Finally, Bliss is more than a psychological thriller; it's a scream for aid disguised as a film. It's a portrayal of women who have been worn down by control, expectation, and quiet to the point that they can only recover their voices via crazy.
About the Writer
Jenny, the tech wiz behind Jenny's Online Blog, loves diving deep into the latest technology trends, uncovering hidden gems in the gaming world, and analyzing the newest movies. When she's not glued to her screen, you might find her tinkering with gadgets or obsessing over the latest sci-fi release.What do you think of this blog? Write down at the COMMENT section below.
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